All posts by Andrew Boardman

Designer.

When it is Scary

Yesterday’s and today’s New York Times had some of the scariest pages within that I’ve seen in a long, long time. It wasn’t articles about nuclear terrorism, or lies and deceptions, or financial crisis, or massive hurricanes, or global warming, or the failure of increasingly popular charter schools, all of which appeared.
Today, two pieces appeared next to each other on the Op-Ed pages: Paul Krugman’s Opinion > Op-Ed Columnist: Saving the Vote” href=”http://www.nytimes.com/2004/08/17/opinion/17krugman.html”>Saving the Vote, which states that, because of electronic voting, the Florida election results in 2004 could call into question the entire election again, and an editorial titled Interrogating the Protesters, which points out the FBI’s interviewing of potential protesters as if they were terrorists.
You just have to read these two pieces and combine this with Bob Herbert’s piece about Florida state police officers currently visiting elderly black voters — and not to bring them meals on wheels. Politically left or right, one gets an icy, cold feeling about the future of American democracy. These need to be read.

Roaming the Cold

Before I begin to sound like the Manitoba Tourist Board, I thought I would do my best to show the possibly more harsh reality (albeit a commonly accepted one) of a city like Winnipeg. The sucky factors are:

  • It’s seriously cold in the winter. The average temperature in January is 7 degrees Fahrenheit.
  • The closest largish Canadian city is Regina, in the province of Saskatchewan. The closest city in the U.S. is Minneapolis, Minnesota about an eight hour drive. One of the closest towns in the U.S., however, is Fargo, North Dakota.
  • Getting to Winnipeg from NYC is about an eight hour trip altogether, with a layover in either Toronto, Chicago, or Minneapolis. Currently, there are no nonstop flights. (And the way airline industry is going, there may never be.)

Romancing the Cold

As noted earlier, the temperature in Winnipeg can go down to -40 Celsius in the winter. It’s apparently unusual for it to get that cold but there is a reason that most non-Manitobans call the city “Winterpeg.”
The cold, unlike on the East Coast, is dry and less snowy — according to the folks I spoke with, the difference between -20 and -10 and 10 degrees is noticable but once it’s cold, it’s just cold.
Winnipeggers to a tee romanticize the cold weather. Guy Maddin, one of my favorite of directors, loves to play off the insanely cold the winter nights there. (J. Hoberman wrote a piece about Maddin and his latest in this week’s Voice.) Other artists and artisans there relish the cold because it gives them the privilege (well, necessity) of staying inside and producing.
One might think that all of this cold-love would make for a closeted culture. What I found in Winnipeg was that the winter’s grip allows groups of musicians, writers, readers, and other self-selected oddfellows to instead meet up, play, punctuate, or otherwise pontificate. There appears to be a livingroom-based, grassroots-like subculture to the place which then filters up to the rest of the city during the warmer months.
I realize that I’m going on too long about this fine city. I’ll stop after tomorrow.

The Place of Time

One thing that fascinated me about living in Winnipeg last week was the sense that time itself had expanded, slightly. It wasn’t that we were on vacation or that there was no sense of urgency – work and urgency are continuous sources of stress on the nature of time in New York City. It was a palpable sense that time was alive in the place.
What I found in Winnipeg was that people live in time very differently. One friend works 2 days per week and spends the other three taking care of her two older kids and reads and works in the community. Another works 6 hour days while another took six months off to catch up on baseball and books. It’s not that these folks are unambitious, disinterested or slothful. In fact, it could be argued that their drive is governed by a different set of criteria which I don’t know or understand because I don’t own that set myself.
While in NYC, one is constantly working to catch up to where one was yesterday, it felt that, in Winnipeg, one worked to earn money to live well, which most people there do. The restaurants are by and large excellent, beautiful homes can be had for 1/3 the price of other cities, and events are very often free. It could be argued that this pleasuring of time is the Canadian Government’s fault. By ensuring that all of its citizens have health insurance, people are not governed by survival alone as many people in the U.S. are; their family will be well-cared for by a doctor no matter what — job or no job, career or temporary, sick or healthy.
I’ve always felt that this was the hidden benefit of government-provided health insurance and I was proven correct last week. That benefit is freedom.

MB

Was in Winnipeg, MB, the past week. [Sorry]
Pretty much the geographical center of Canada and perhaps one of the nicest North American cities I’ve had the pleasure of visiting.
Some quick notes on the stay:

  • Lake Winnipeg, to the north of the city, is (apparently) the size of the U.K.
  • The city is culturally sophisticated, diverse, kind, clean, and well-funded by the government and the Government
  • Our car was stolen on Wednesday night, probably before 9:30 p.m. It was found, more or less intact, this afternoon.
  • Pleasure seems to be as critical a component of Winnipeg life as it work is in New York.
  • Designing products, signs, and websites for two languages throughout the country is difficult, fascinating, and politically problematic.
  • The Mennonite and Jewish communities there are uniquely small and strong throughout the metropolis.
  • Indians, or Aboriginals as the community is called there, are under-enfranchised; however, from my superficial observations, it appears that that community is given much more respect, attention, and historical placement in education and culture than African-Americans in this or any other state.
  • It’s not unusual for the temp to reach -40 degrees Celsius in the winter. That’s about, well, -40 Fahrenheit.

I’m planning on devoting the rest of the week to the city, its environs, and its culture.

Yoogle!

This has been a week of very intense work, in terms of both quantity and scope — identity development for two companies, a backend administration design, business cards, two proposals, three wireframes, and four websites under different stages of development.
Thus the less than stellar posts. In this vein, I found that the new (beta) Yahoo! Search to be pretty fascinating for a number of reasons:

  • It uses side tabs, which are typically implemented very poorly. I predict that this will be a new feature of websites that feature forms and form data. It’s nicely designed here and pretty unusual as interface device.
  • The tabs themselves (and other features) are customizable, even though one doesn’t have to be logged in, registered, or otherwise beholden. (It’s a Javascript thing.) This is a nice feature for a search portal; there are times when I feel like My Yahoo!, which I use religiously, is capturing a bit too much about how I use it’s portal interface. On the same hand, it sometimes feels like Google is too selective, too aloof to allow personalization.
  • While this site mimics the soon-to-be $3.34 billion monstrosity called Google [page “not yet ready”], the interface is actually slightly nicer, warmer, more thoughtful and less technologically in your face. Oh, and Yahoo has a better logo.
  • Job openings are listed right from the get-go, on the home page. Are there actually job openings in today’s economy? It’s good to know.

Tables

Douglas Bowman, pretty much the design and development leader in creating beautiful Web standards-based sites, wrote an interesting little piece called Throwing Tables Out the Window, with an obvious reference to the application made famous by Microsoft.
Bowman writes that if Microsoft would take out the fat, overloaded, non-semantic and inaccessible tables burdening its site, the company could reduce its file loads by 62%. What this means in “real” terms is that the company, getting 38.7 million page views per day, would save at least 329 terabytes per year.
How much data tranfer is this? Well, a terabyte is 2 to the 40th power which is about a thousand gigabytes, which is technically 2 to the 30th power or about 1 billion bytes. I recently purchased a harddrive with 80 GB on it. This means that a terabyte is about 12.5 of these hard drives, full. 329 terabytes is about 4112 of 80 GB harddrives — a large amount of data indeed. But what is the true cost of this data bloat?
For Microsoft, it’s very little. Their huge servers chug along quickly and quiety, regardless. The cost is to Web users more generally, who need to put up with downloading junky, wasteful code that reminds me a little of the operating system software the same company happily sells. (Truth: I’m actually not a Microsoft-hater. I use Word, Entourage, and other Microsoft apps as needed. But every time I visit a client who has Windows installed, the viruses, trojan horses, spy-ware garbage and crashes are the first things I undoubetedly see.)

Music Plasmosis

Every so often there’s a little surprise out there on the Web, this time it being musicplasma, a superfine Flash-based interface that takes any band and maps out the most minor and most recognized relationships. I typed in “Trail of Dead” and it noted that The Postal Service, Interpol, and Broken Social Scene are in the mix (as they indeed are for me) but on the outskirts are Black Rebel Motorcycle Club, TV on the Radio and Deftones (who are not).
The interface is most likely based on Thinkmap‘s far more robust and supremely elegant Visual Thesaurus, a product which I was invited to work on in 2001 but turned down for a variety of reasons. (Thinkmap used to be Plumb Design, an innovative web development company located a few blocks from the World Trade Center). Long before Thinkmap was a fascinating “knowledge” interface called The Brain, which I used in one of the first sites I developed back in 1998. The Brain was started by Harlan Hugh, whom I also met; Harlan never sought to support his product on the Mac and he’s still true to form — the whole applet falls apart in Safari.
In any case, it’s good to see that the spirit of visual relationship mapping has a few feet and I’m sure that many government agencies are trying this technology to study terrorist subjects.

Against the iPod

It’s so completely uncool to not like the iPod. But I’m putting myself out there as someone who feels very ambivalent about it. It’s so very easy to call our the typical adulations for the product — it’s sleek, it’s fast, it works, it’s Apple.
But here are my summer-cold-fueled negatives on the product — negatives which I have never seen previously:

  • The iPod separates us from the very physical reality that we inhabit. It’s similar of course to the now 25-year-old Walkman but the iPod makes it far too easy for a person to ignore, or worse, sneer at, the concrete.
  • The iPod holds too much music. I know that more is more when it comes to technology. But no one should have access to that many songs in one’s pocket; there’s something grotesque about the millions of hours of musical arrangement and production being reduced to a tiny replay apparatus.
  • The iPod, despite Apple’s best attempt at creating an integrated and legal music store, by its nature encourages the illegal downloading of music. ‘Nuff said.
  • The white ear buds on the iPod are ugly, inhuman, and unworkable. For some reason, the white color of the buds on any skin color looks horrendous, fetid, silly.
  • The iPod’s streamlined design and button functionality has nothing to do with music, musical instruments, or the history of musical recording, playback, or re-authoring.

Boy, I’m glad to get that off my chest. Now if I could just do the same thing with this cold.

Zelig

When I saw the film Zelig in 1983, I saw myself. And probably so did everyone else who watched it. It was shown again late the other night on PBS and I caught the last and most outrageous 15 minutes. The movie struck me as more rich than ever.
In the movie, Woody Allen becomes a chameleon-like figure who traipses through 1920s and 1930s American and European “society” while contemporary commentators like Susan Sontag speak on his changeability and historical relevance. The movie, pre-Forest Gump, pre-Truman Show and pre-FX, was a fake documentary that I predict will be of import in the near future as we look back on a presidency and a culture that feel unreal, mocked up, and yet strangely insulated from the exigencies of “modern” living.
Documentaries, like F 9/11 and the host of others, are key components of a culture in crisis. Mockumentaries like Zelig, This is Spinal Tap, and The Blair Witch Project seem to come at a time of cultural stasis, when the most riotous times are forgiven and life is better lived than feared. P.S. Friend V.S. rightly adds Being There to the list; there are of course many other appropriately apolitical (except for the brilliant Bob Roberts) mockumentaries.